Yardley Arts : Summer Open 2026

Ox-Eye Daisy

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Spring Recalled in Winter

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Horse

By Clare Abbatt

Stoneware clay, fired and glazed.

h: 41 w: 10 d: 53 (cms).

Half size horse’s head modelled from life.

£750.00

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Horse

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Small abstract torso

By Clare Abbatt

Stoneware clay, fired and glazed.

h: 26 w: 10 d: 7 (cms).

£210.00

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Small abstract torso

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Rockline

By sarah hutt

Acrylic on board

h: 30 w: 30 d: 1 (cms).

Influenced by the coastline of Shetland and the remote small holdings dotted around the island.

£385

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Rockline

Public Choice Voting

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House on Trigature Craig

By sarah hutt

Mixed media on Panel

h: 30 w: 30 d: 1 (cms).

Influenced by my Grandma's house sat at the top of Caswell bay. For 68 years my grandfather bought my grandmother a Welsh love spoon each year to celebrate their union. The love spoon symbol ripples through the cliff as a nod to their values of union, and building a solid foundation to ensure strong family values

£435

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House on Trigature Craig

Public Choice Voting

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Young Gorilla in Thought

By Cate Kutas

Soft Pastel and Pastel Pencils

h: 30 w: 24 d: 1 (cms).

A young gorilla is shown against a solid black background, its figure emerging clearly from the darkness. Soft pastel and pastel pencil have been used to build the form with controlled layers of grey, brown, and muted blue tones. The fur is defined with a mix of broad soft pastel shading and sharper pastel pencil lines, giving the coat a realistic texture without overwhelming detail. The gorilla’s posture suggests quiet thought. Its head is slightly lowered, eyes are looking into the distance, and one hand rests on the other in reflective gesture. The lighting is subtle, highlighting the contours of the face, shoulders, and hands while leaving the rest of the body gently subdued. The black background removes any sense of environment, keeping the focus entirely on the animal. This contrast makes the gorilla stand out clearly and emphasizes the calm, introspective mood of the piece. The overall effect is a simple, direct portrait that captures a moment of stillness and thoughtfulness.

£375

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Young Gorilla in Thought

Public Choice Voting

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Laugh With Me!

By Cate Kutas

Soft Pastel and Pastel Pencils

h: 25 w: 50 d: 1 (cms).

This soft pastel and pastel pencil painting captures a chestnut horse mid expression, lifting his top lip in a playful, almost laughing gesture. The warm chestnut tones of the coat are built up in layered pastel, giving the fur a natural sheen and showing the subtle shifts of colour across the face and neck. Fine pastel pencil work defines the muzzle, whiskers, and the creases formed by the raised lip. The horse’s eye is alert and bright, adding to the sense of personality in the pose. The lifted lip exposes the teeth and gums in a way that feels humorous and familiar to anyone who knows horses well. The textures around the nostrils and mouth are carefully rendered, emphasising the stretch and movement of the expression. Overall, the painting focuses on character and moment, capturing a horse caught in a spontaneous, light hearted gesture that invites the viewer to share the joke.

£455

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Laugh With Me!

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Aqua Altered

By raoul orzabal

oil on canvas

h: 77 w: 97 d: 1 (cms).

Venice depicted in glitched mixed viewpoint prospective form showing repeated upward patterns within the sky. It is a comment on the lack of effort for protection against rising sea levels The title Aqua Altered parodies the acqua alta phenomenon, in which Venice is frequently flooded by rising tides. The work also functions as an “angry diary,” reflecting my frustration that the city could be saved, yet ongoing corruption has prevented meaningful action, with aid funds instead being spent on luxury goods. As the work continues to develop, I plan to add further layers of detail, including repeated cut-out ocean surfaces rising throughout the composition.

£8000

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Aqua Altered

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Into the Forest

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Raging Bull

By john nolan

Oil

h: 59 w: 69 d: 2 (cms).

£500.00

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Raging Bull

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Catwalk Model 4

By john nolan

Oil

h: 34 w: 27 d: 3 (cms).

£300.00

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Catwalk Model 4

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Meander

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Evening Ouse

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Peace And Flowers

By Marika du Plessis

Ceramics

h: 27 w: 15 d: 12 (cms).

This quirky bird ceramic sculpture was meticulously hand-sculpted from stoneware clay. Each flower and feather was carefully shaped using wooden tools, creating intricate textures and a wonderfully tactile surface. Thoughtfully selected glaze combinations contrast glossy and matte finishes, adding depth and character to the piece. Delicate flowers provide a feminine touch, bringing a sense of calm and beauty. With its eyes gently closed, the bird appears peaceful and at rest, inspiring tranquility in the viewer.

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Peace And Flowers

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Grace

By Marika du Plessis

Ceramics

h: 22 w: 30 d: 11 (cms).

An exceptionally unique vase crafted from stoneware clay, featuring a graceful and serene facial expression with long eyelashes that convey a sense of calm contentment. The body is richly adorned with intricate swirls, floral motifs, and repeating natural forms, creating depth and visual intrigue. A playful floral crown adds a sense of joy and character to the piece, while delicate gold lustre accents bring sparkle and elegance. The combination of glossy and matte glazes enhances the surface with contrasting textures and finishes. Above all, the piece is designed to evoke happiness and delight in the viewer

£295

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Grace

Public Choice Voting

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Paradise Lost

By Steve Davies

Linocut

h: 25 w: 35 d: 1 (cms).

Multiblock lino print in 4 colours

£125

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Paradise Lost

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Loaded down on James Street

By Steve Davies

Linocut

h: 25 w: 18 d: 1 (cms).

Multiblock lino print in 3 colours

£100

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Loaded down on James Street

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Fallen from Olympus VI

By Steve Davies

Linocut

h: 25 w: 18 d: 1 (cms).

Multiblock lino print in 2 colours

£100

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Fallen from Olympus VI

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The Garden, Nevill Holt Festival

By samantha brockway BA(Hons)

Watercolour

h: 19 w: 19 d: 1 (cms).

Last summer I was invited to paint in the gardens of the Nevill Holt Festival. I enjoy working plein air and the pressure of working in public really helps to focus the mind. The gardens were beautiful and the day hot. I wanted to capture the vast height of the borders dwarfing the visitors. The majority of this artwork was created plein air on pre stretched cotton paper. I didn’t draw the composition but let the layers of watercolour glazes build up the scene quickly. I use a limited palette to help keep colours vibrant and connected. To avoid too much detail I intentionally worked with a large round brush until I returned to the studio to add some final details and highlights in acrylic ink.

£225

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The Garden, Nevill Holt Festival

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Walled Garden, Boughton House

By samantha brockway BA(Hons)

Watercolour

h: 24 w: 24 d: 1 (cms).

Earlier this year I was invited to paint in the gardens of Boughton House during their Easter Opening. I enjoy working plein air and the pressure of working in public with whatever the weather brings. We enjoyed the tail end of a storm that day with very high winds. It was spring and the blossoms had only just started emerging on the trees. I wanted to capture this and the joy of intermittent sunshine. The majority of this artwork was created plein air in watercolour on pre stretched cotton paper. I don’t draw the composition but let the layers of watercolour glazes build up the scene. I use a limited palette to help keep colours vibrant and connected. To avoid too much detail I intentionally worked with a large round brush until I returned to the studio to add some final details.

£450

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Walled Garden, Boughton House

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Summer Light

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Spring Light

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North Norfolk Coast Path I

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The modern artist - portrait of Tom Guilmard

By oliver winconek

Oil on panel

h: 95 w: 60 d: 1 (cms).

The artwork is an alternative view of an artist; depicting Tom as not just a painting but also as a delivery driver working long, exhausting hours. The painting reflects the toll of balancing multiple jobs, a reality for many artists today.

£4950

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The modern artist - portrait of Tom Guilmard

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A day of throwing at the wheel - Portrait of Keith Brymer Jones

By oliver winconek

Oil on panel

h: 100 w: 50 d: 2 (cms).

A portrait of pottery throwdown judge and master potter Keith Brymer Jones. I painted Keith following a day spent with him in his Whitstable studio where I took a series of photos and made sketches. I am fascinated by people at work, especially fellow creatives and it was great to capture Keiths likeness as he made a large batch of mugs, us talking about many aspects of working as an artist all while radio 4 played in the background.

£6500

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A day of throwing at the wheel - Portrait of Keith Brymer Jones

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Caroline reading

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November morning

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Petunia and Pearl

By claire mycock

acrylic and collage on canvas

h: 60 w: 60 d: 3 (cms).

Inspired by atmosphere, memory and what I see, I layer paint and collage to create open light-shifting floral paintings from my garden.

£450

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Petunia and Pearl

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Starting to dream

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Echoes of the Land

By anne wood KT24 6SG

Acrylic and mixed Media

h: 40 w: 40 d: 2 (cms).

This uplifting, lyrical painting was inspired by the landscapes that have been shaped by natural forces. Richly textural layers of acrylic paint, inks, pastels and gelli printed collage pieces create a tactile surface of abstract marks evoking eroded rocks and limestone outcrops alongside the large foreground’s forceful, linear shapes reminiscent of organic forms or underground caves. I used a very limited colour palette of inky blues, chalky whites, ochres and earthy greens to emphasise these textural qualities and placed the horizon line very high to suggest a feeling of awe. Everything has evolved from the weathered rock – the stone walls, houses and angular trees – going right up into the distant hills – like echoes.

£360

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Echoes of the Land

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On Reflection

By sue johnson BA (Hons)

Mixed media with ink and collage

h: 30 w: 30 d: 2 (cms).

On Reflection explores fluidity and light through inky, veiled layers, intuitively suggesting the movement and stillness of water. It emerged freely using layers of ink and collage and has a dark, luminous and contemplative feel carrying traces of memory, mood and feeling.

£295

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On Reflection

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I -SPY

By sue johnson BA (Hons)

Mixed media acrylic with collage

h: 30 w: 30 d: 1 (cms).

I Spy is a semi-abstract botanical painting inspired by the nostalgic pleasure of searching and finding countryside scenes, inspired by an old I-Spy book found in a charity shop. Layered collaged, printed and painted floral and organic forms invite slow looking, revealing details gradually over time. Suggesting a remembered landscape rather than a literal one, this mixed media piece blends imagination and nostalgia, encouraging curiosity and quiet discovery within nature.

£295

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I -SPY

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The wind flows through

By vandy massey

Acrylic on canvas

h: 100 w: 50 d: 2 (cms).

This painting is part of a series of work exploring light and air. Considering the interaction between water in two forms and the force of moving air.

£1100

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The wind flows through

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When the day sings it’s farewell

By gill drew

Acrylic

h: 50 w: 100 d: 3 (cms).

This work draws inspiration from the quiet magic of a summer evening as daylight begins to fade behind the hills. Bathed in warm golden light, the landscape settles into a moment of stillness while deer move softly along the hedgerows, bringing a subtle sense of movement and presence to the scene. Using layered acrylic techniques, I developed a palette of muted glowing tones to reflect the hazy warmth and tranquillity of dusk. The painting explores atmosphere and memory, aiming to capture not only the appearance of the landscape, but also the emotional calm that these fleeting moments in nature can hold.

£950

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When the day sings it’s farewell

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Footprints

By gill drew

Acrylic

h: 50 w: 100 d: 3 (cms).

“Footprints “ tells the story of a place I’ve returned to time and again- a cove along the Jurassic coast, where sunlit rocks and tide- filled pools once amused my childhood adventures. Years later, on a summer day, I found myself there again, the ancient rock formations and recognisable pools still inspiring me. This painting is a blend of past and present- warm pink and orange hues reflect the heat of the sun on ancient stone, while soft sea blues and shadowed pools add intrigue and movement.

£950

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Footprints

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Woman at the Bath

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Footsteps in Solitude

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The Four Stages of Life

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Young Gifted and Black

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More Than An Icon

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Labyrinth III

By Asya Dudko SWA BA(Hons)

air-drying Paperclay

h: 40 w: 14 d: 17 (cms).

Labyrinth III is made of air drying clay 'Paperclay' sculpted over a wire support. The sculpture is an interpretation of Ariadne Myth that guides through inner and outer labyrinths. Holding a small ball of wool, the figure symbolizes memory, emotion and human connections.

£600

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Labyrinth III

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Golden Park Run

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Day Dreaming

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Midnight

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Warm and Tender Breast

By nicolas moreton

Ancaster Hardwhite Limestone

h: 41 w: 51 d: 51 (cms).

£9000

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Warm and Tender Breast

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Impermanent Tensegrity

By csaba tibor palotas

Oil on Canvas on Panel

h: 61 w: 36 d: 2 (cms).

Flesh and bone are transient, held together for a fleeting moment by a delicate balance of forces. This painting explores that physical and spiritual tension. The figure is suspended by myriad invisible pulls, representing absolute aliveness and presence in the 'now'. Part of a current series on somatic experience, the piece reflects how we actually feel our inner body: not as strict outlines, but with blurred, shifting edges. The harmonised colours represent the material vessel, whilst the sharp geometric lines reveal the 'Hidden Geometry' beneath. It is a reminder that universal tensegrity maintains both our fragile bodies and the cosmos itself—a perfect duality of the material and immaterial.

£550

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Impermanent Tensegrity

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Meadow

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Displacement

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Frozen Pond

By hazel thomson

Oil on Canvas

h: 100 w: 100 d: 2 (cms).

Textured oil painting on canvas, I have tried to capture the serene beauty of a winter morning and the ethereal stillness of a frozen lake, its surface reflecting the crisp, cool tones of a frosty day. Hints of silver birch trees add a touch of delicate detail to this impressionistic yet realistic winter landscape.

£2200

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Frozen Pond

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Weather Permitting

By belinda ellis

oil and charcoal on canvas

h: 48 w: 76 d: 3 (cms).

The painting can be described as a synthesis of the internal and external, colour relationships seen and imagined. The ideas are visual and the work communicates like music in a non-verbal way reflecting and evoking, not copying, nature. There is a symbiotic relationship between differing or opposing elements such as accident and order, translucence and opaqueness, stillness and energy. At the start the outcome is not known. The process is a dialogue between myself and the work.

£1500

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Weather Permitting

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Opening

By simon m smith

Acrylic, pen and watercolour on canvas

h: 60 w: 60 d: 2 (cms).

The world emerging-submerging, not quiescent. A large number of transient white flowers rising and drifting against a hazy blue background, coming out of the originary confusion and sinking back into it, following the great respiratory alternation, breathing in and breathing out, that brings the world into existence. ‘The there-is and the there-is-not engender each other’. Lao Tzu “I made a large number of drawings with a fine nibbed permanent marker on dress-pattern tissue paper of small white Alpine flowers in the Botanical Garden in Cambridge. I then collaged the drawings onto canvas, adding acrylic and watercolour as the image emerged. Aspects of the printed dress-pattern tissue paper - fragments of words, lines, numbers - were subtly incorporated into the painting”

£1800

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Opening

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Iron Trunk Aqueduct

By Helen A Taylor MA. SGFA. ASWA

Linocut with watercolour

h: 56 w: 41 d: 1 (cms).

I often juxtapose floral elements with the rigid lines of architecture to find harmony between the organic and the man-made. This print shows the contrast between the structural elements of the aqueduct and the wild tangle of the plants surrounding it. Inspired by the Iron Trunk Aqueduct in Wolverton.

£400

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Iron Trunk Aqueduct

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